https://sofiegrevelius.cargo.site SOFIE GREVELIUS Thu, 05 Mar 2026 08:46:19 +0000 https://sofiegrevelius.cargo.site en https://sofiegrevelius.cargo.site/OCH-UNDER-opening-march-28 Thu, 05 Mar 2026 08:46:19 +0000 SOFIE GREVELIUS https://sofiegrevelius.cargo.site/OCH-UNDER-opening-march-28 The show “OCH UNDER” (eng. AND UNDER) opens on March 28th, 2026. Private view 12-15 - WELCOME! Open until May 17th. For opening hours go to&nbsp;https://bibliotek.tyreso.se/-/konsthall-1#/ <img width="1666" height="2184" width_o="1666" height_o="2184" data-src="https://freight.cargo.site/t/original/i/3bee25a7b426e0146a1434ff5ce70050a78a0805331b005386f5dec7c5308973/Skiss-Tyreso.png" data-mid="245654657" border="0" src="https://freight.cargo.site/w/1000/i/3bee25a7b426e0146a1434ff5ce70050a78a0805331b005386f5dec7c5308973/Skiss-Tyreso.png" /> https://sofiegrevelius.cargo.site/Givet-en-vagg-en-dorr Fri, 02 May 2025 14:25:49 +0000 SOFIE GREVELIUS https://sofiegrevelius.cargo.site/Givet-en-vagg-en-dorr Givet en vägg, en dörr&nbsp;“VÄGGEN” Möregatan 6, Stockholm 2025 “Väggen” (eng “The Wall”), a group show in a flat in Stockholm, organized by Anna Nyberg and Annica Åberg.&nbsp; Participating artists: Åsa Andersson, Hannah Altmann, Rebecka Bülow, Marion Desmaret, Charlotte Enström, Sofie Grevelius, Hugger Mugger, Mattias Hellberg, Niklas Holmgren, Andria Nyberg Forshage, Anna Nyberg, Elisabeth Westerlund and Annica Åberg “Givet en vägg, en dörr” is a blue custom-made door. The title is in reference to a quote from “Espèces d espaces” (eng, Species of Spaces, 1974) by George Perec: “Granted there is a wall, what is going on behind it?” Jean Dardieu <img width="1772" height="1334" width_o="1772" height_o="1334" data-src="https://freight.cargo.site/t/original/i/a6d03c77b7c4e67f072be62a23bc6ff61e0a43795e3f00b695c3fbd31557b895/PXL_20250322_143338221.RAW-01.COVER.jpg" data-mid="231883152" border="0" src="https://freight.cargo.site/w/1000/i/a6d03c77b7c4e67f072be62a23bc6ff61e0a43795e3f00b695c3fbd31557b895/PXL_20250322_143338221.RAW-01.COVER.jpg" />In an adjecent room, I made a site-responsive installation with drawings, texts, photographs, objects and a video along a table, shelves and surrounding wall and floor. Within the installation were three books: an old note book (that was always too precious for me to write in), “A room of One’s own” by Virginia Woolf and George Perec’s book “Species of Spaces”. The two books are important references for me and act as portals into a way of looking at, and being, in the world. <img width="2966" height="3964" width_o="2966" height_o="3964" data-src="https://freight.cargo.site/t/original/i/53386b149db4d83219b871c317a819e37dad6b266e5263e3baddc475f29dc632/Namnlost-6.png" data-mid="231884010" border="0" src="https://freight.cargo.site/w/1000/i/53386b149db4d83219b871c317a819e37dad6b266e5263e3baddc475f29dc632/Namnlost-6.png" /><img width="2985" height="3984" width_o="2985" height_o="3984" data-src="https://freight.cargo.site/t/original/i/c1c8afd8e61ee6c7581678c67e3314837c278d13555caf99288e85ec909f0aaa/Namnlost-5.png" data-mid="231884009" border="0" src="https://freight.cargo.site/w/1000/i/c1c8afd8e61ee6c7581678c67e3314837c278d13555caf99288e85ec909f0aaa/Namnlost-5.png" /><img width="2907" height="4021" width_o="2907" height_o="4021" data-src="https://freight.cargo.site/t/original/i/b84761e325dbeae2ea2dd5448325bae849e954f1b28b377aa10724634f5a07ce/Namnlost-8.png" data-mid="231884015" border="0" src="https://freight.cargo.site/w/1000/i/b84761e325dbeae2ea2dd5448325bae849e954f1b28b377aa10724634f5a07ce/Namnlost-8.png" /><img width="1440" height="1800" width_o="1440" height_o="1800" data-src="https://freight.cargo.site/t/original/i/fad967b7513c9109b1a801c873cbc4df830c7c678712765579f0eaaaf8a07c75/F26D2ABB-2D76-4831-B357-BA7AB6A66AE2.JPG" data-mid="231883639" border="0" src="https://freight.cargo.site/w/1000/i/fad967b7513c9109b1a801c873cbc4df830c7c678712765579f0eaaaf8a07c75/F26D2ABB-2D76-4831-B357-BA7AB6A66AE2.JPG" /> <img width="3072" height="4080" width_o="3072" height_o="4080" data-src="https://freight.cargo.site/t/original/i/2627e767058bdde028068faba20162b87ae7a26290d1c59c3122c5386ba770f8/PXL_20250322_143431573.RAW-01.COVER.jpg" data-mid="231883151" border="0" src="https://freight.cargo.site/w/1000/i/2627e767058bdde028068faba20162b87ae7a26290d1c59c3122c5386ba770f8/PXL_20250322_143431573.RAW-01.COVER.jpg" /><img width="3072" height="4080" width_o="3072" height_o="4080" data-src="https://freight.cargo.site/t/original/i/1b23ab8de9da53edf9d28c059b4d7d7821615862205ff03c5dc4eabadc1f1268/PXL_20250322_143408361.RAW-01.COVER.jpg" data-mid="231883237" border="0" src="https://freight.cargo.site/w/1000/i/1b23ab8de9da53edf9d28c059b4d7d7821615862205ff03c5dc4eabadc1f1268/PXL_20250322_143408361.RAW-01.COVER.jpg" /><img width="2955" height="3854" width_o="2955" height_o="3854" data-src="https://freight.cargo.site/t/original/i/5d4cf3e2f192ef438f00947ed6420494215445176146b128c9e86a0fd3e4058f/Namnlost.jpg" data-mid="231883995" border="0" src="https://freight.cargo.site/w/1000/i/5d4cf3e2f192ef438f00947ed6420494215445176146b128c9e86a0fd3e4058f/Namnlost.jpg" /><img width="2891" height="4013" width_o="2891" height_o="4013" data-src="https://freight.cargo.site/t/original/i/63d6bfdfaff010d0261c75c7e7de21976e3022a06e0ab20df9dd05e402cd6286/Namnlost-3.png" data-mid="231884004" border="0" src="https://freight.cargo.site/w/1000/i/63d6bfdfaff010d0261c75c7e7de21976e3022a06e0ab20df9dd05e402cd6286/Namnlost-3.png" /> <img width="2852" height="4011" width_o="2852" height_o="4011" data-src="https://freight.cargo.site/t/original/i/952b73d5e6b8985bc7ffdc48bc7efbccf5c7fcdfea74ab4f2f83ecc84694fc87/Namnlost-7.png" data-mid="231884011" border="0" src="https://freight.cargo.site/w/1000/i/952b73d5e6b8985bc7ffdc48bc7efbccf5c7fcdfea74ab4f2f83ecc84694fc87/Namnlost-7.png" /> https://sofiegrevelius.cargo.site/Resume-Contact Wed, 04 May 2022 14:30:40 +0000 SOFIE GREVELIUS https://sofiegrevelius.cargo.site/Resume-Contact RESUMÉ/CONTACT contact: sgrevelius @ gmail . com&nbsp; b.1981 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; Lives and works in Stockholm, Sweden SHOWS (selected)Upcoming 2026 “OCH UNDER” Tyresö Konsthall Opening March 28, 12-15 28/3-17/5 2025 Möregatan 6, Stockholm 2024 PANK, Stockholm, Sweden (solo) 2022 MACKEN, Malmö, Sweden (solo) SKF medlemsutställning, Eldhunden, Stockholm, Sweden 2021 Galleri NOS, Stockholm Sweden HJORTEN skulpturpark, Stockholm Sweden NAVET + VÄNNER Navet HQ, Stockholm, Sweden 2020 Färgfabriken, Stockholm, Sweden Galleri 54 Peepshow, Gothenburg Sweden Klubb Krypta (initiated by artist Jakob Sjöstedt), Gothenburg Sweden 2019 Galleri Toppen, Stockholm Sweden (solo) 2017 ID:I gallery, Stockholm Sweden (solo) Konstfack Stockholm Sweden 2014 Tintype gallery, London (solo) Galleri Arnstedt, Sweden (solo) Galleri Gerlesborg, Hamburgsund (solo) Main Gallery, Stockholm 2013 ATP, London Arch Collective, London London Art Fair, London 2012 Matt Roberts Arts, London Christies, London Royal College Art, London Hockney Gallery, London CGP Bermondsey, London 2011 CGP Bermondsey, London Hockney Gallery London Henry Moore Gallery, London Galleri Arnstedt, Östra Karup, Sweden (solo) 2010 Galleri 5, Lund, Sweden (solo) Supermarket, Stockholm, Sweden Galleri Mors mössa, Göteborg, Sweden (solo) Skånes Konstförening, Malmö, Sweden (solo) 2009 CirkulationsCentralen, Malmö, Sweden (solo) 2008 Galleri Pictura, Lund, SwedenCentrifug, Konsthall C, Stockholm, Sweden (solo) Palaeflöjen. Roskilde, Denmark Freightliners Farm, London 2007 The Window Gallery, London Waterloo Gallery, London EDUCATION 2016- 2017 Konstfack, Stockholm Sweden Going Public XL 2010 – 2012 Royal College of Art, London. Master of Art, Fine Art Printmaking 2004 - 2007 Central Saint Martins College of Art &amp; Design, London. Bachelor of Arts, Fine Art (Hons) PUBLICATIONS/BOOKS2022: ”Macken” (published on the occasion of the closing of the gallery space) 2021 “Artists’ books from a Swedish point of view” by T. Millroth, ellerström/tragus 2016 ARTLESS Laurence King Publishing (ed by M. Valli &amp; A. Ong) 2014 ROAD WORKS an instruction manual 2013 The Round Manual Arch Collective 2012 PLAYING HALF COURT works on paper by Sofie Grevelius 2012 23 components of a book, RCA MA Printmaking 2012 Casual-ties, RCA MA Printmaking in collaboration with RCA MA Critical Writing 2009 r + n = m, bok förlag, Malmö Sweden SCHOLARSHIPS/RESIDENCIES 2022 DANSPLATS Skog Summer residency 2022 Swedish Arts Council Working grant 2018-2020 Stockholm City Studio grant 2014-2016 Stockholm City Studio grant 2013 Tenderpixel gallery Summer residency 2012 Axisweb MAstar selected by curator Shama Khanna 2009 Lund County Arts Scholarship https://sofiegrevelius.cargo.site/PENDLA Wed, 26 Jun 2024 11:44:40 +0000 SOFIE GREVELIUS https://sofiegrevelius.cargo.site/PENDLA PENDLA&nbsp; “Pendla” is a Swedish verb meaning “to commute” or “to pendulate/oscillate”. <img width="7120" height="4752" width_o="7120" height_o="4752" data-src="https://freight.cargo.site/t/original/i/f116d7c0c08f1da5695adb93d993f21e1bd6e7d3c46852fda06240d8c49cf60f/_DSC8986.jpg" data-mid="220963673" border="0" src="https://freight.cargo.site/w/1000/i/f116d7c0c08f1da5695adb93d993f21e1bd6e7d3c46852fda06240d8c49cf60f/_DSC8986.jpg" /><img width="5906" height="3941" width_o="5906" height_o="3941" data-src="https://freight.cargo.site/t/original/i/c9828659caec8f00cd37669561dcc13ce5a98b6c3cd0c3dbcc7be9dc97e0fce8/_DSC8945.jpg" data-mid="220963791" border="0" src="https://freight.cargo.site/w/1000/i/c9828659caec8f00cd37669561dcc13ce5a98b6c3cd0c3dbcc7be9dc97e0fce8/_DSC8945.jpg" /> <img width="3543" height="5310" width_o="3543" height_o="5310" data-src="https://freight.cargo.site/t/original/i/96800c419c8294700dba62f64da3cc648eabacd68e6646411bb02b736d54e0fc/_DSC9015.jpg" data-mid="220963946" border="0" src="https://freight.cargo.site/w/1000/i/96800c419c8294700dba62f64da3cc648eabacd68e6646411bb02b736d54e0fc/_DSC9015.jpg" /><img width="7208" height="4811" width_o="7208" height_o="4811" data-src="https://freight.cargo.site/t/original/i/137a5a44960197dff9d56d9cd9d24e61ebdcf0bf7d027b0d5e8ac0bc14a197f6/_DSC9233.jpg" data-mid="220963967" border="0" src="https://freight.cargo.site/w/1000/i/137a5a44960197dff9d56d9cd9d24e61ebdcf0bf7d027b0d5e8ac0bc14a197f6/_DSC9233.jpg" /><img width="6904" height="4608" width_o="6904" height_o="4608" data-src="https://freight.cargo.site/t/original/i/fa18b8d60db55362efc613e0f11b261826cbb77942adbebddc09e1298b4abbc6/_DSC9252.jpg" data-mid="220963971" border="0" src="https://freight.cargo.site/w/1000/i/fa18b8d60db55362efc613e0f11b261826cbb77942adbebddc09e1298b4abbc6/_DSC9252.jpg" /><img width="5870" height="3917" width_o="5870" height_o="3917" data-src="https://freight.cargo.site/t/original/i/97b6db481ac3fc79a1260171783c77c8da512426fbac23724f883af061b8ac4b/_DSC9236.jpg" data-mid="220963973" border="0" src="https://freight.cargo.site/w/1000/i/97b6db481ac3fc79a1260171783c77c8da512426fbac23724f883af061b8ac4b/_DSC9236.jpg" /><img width="7047" height="4703" width_o="7047" height_o="4703" data-src="https://freight.cargo.site/t/original/i/3a9fffa0c14bcd07adc8402b28f06a3fcadd05b61e3fd268df7be1a2e272dfe1/_DSC8912.jpg" data-mid="220964269" border="0" src="https://freight.cargo.site/w/1000/i/3a9fffa0c14bcd07adc8402b28f06a3fcadd05b61e3fd268df7be1a2e272dfe1/_DSC8912.jpg" /> <img width="2286" height="3268" width_o="2286" height_o="3268" data-src="https://freight.cargo.site/t/original/i/d4e2bceb34e3831b95171a2c810af4ea170009f21aa42754091de12690eccae6/pendla.jpg" data-mid="213981171" border="0" src="https://freight.cargo.site/w/1000/i/d4e2bceb34e3831b95171a2c810af4ea170009f21aa42754091de12690eccae6/pendla.jpg" /><img width="4399" height="6592" width_o="4399" height_o="6592" data-src="https://freight.cargo.site/t/original/i/181d12b81bb31e957547bce7813f415684ce7be621296833dbb9d96afa486033/_DSC9319.jpg" data-mid="220963813" border="0" src="https://freight.cargo.site/w/1000/i/181d12b81bb31e957547bce7813f415684ce7be621296833dbb9d96afa486033/_DSC9319.jpg" />The show comprises of an installation of office tables, screens, computers, custom made coffee cups and an ever-rotating office chair.On the walls, floor, tables and custom made shelves are collages, videos, drawings and photographs piled on stacks of paper. All of them attempting a description of the pressures of daily life and the state of a modern mind. The space becomes an amalgamation of unfinished thoughts, visualizing an inability to find focus and an attempt to navigate an everyday that is full of distractions, and where neither mind nor body are still. <img width="7192" height="4800" width_o="7192" height_o="4800" data-src="https://freight.cargo.site/t/original/i/2c7b9cf862360da473a4735b1107f557745623040db6618c0753c0176e150b61/_DSC9044.jpg" data-mid="220963948" border="0" src="https://freight.cargo.site/w/1000/i/2c7b9cf862360da473a4735b1107f557745623040db6618c0753c0176e150b61/_DSC9044.jpg" /><img width="4752" height="7120" width_o="4752" height_o="7120" data-src="https://freight.cargo.site/t/original/i/ace03a7e744eb85707452c8d64f48af45d32971b1eeb67e02e04ad0de084b219/_DSC9072.jpg" data-mid="220963961" border="0" src="https://freight.cargo.site/w/1000/i/ace03a7e744eb85707452c8d64f48af45d32971b1eeb67e02e04ad0de084b219/_DSC9072.jpg" /><img width="2500" height="1668" width_o="2500" height_o="1668" data-src="https://freight.cargo.site/t/original/i/3ad4a2f648c3c49338d1c5d9244dae9f0f0a129e6f51e8035324609135082983/_DSC9066.jpg" data-mid="213780475" border="0" src="https://freight.cargo.site/w/1000/i/3ad4a2f648c3c49338d1c5d9244dae9f0f0a129e6f51e8035324609135082983/_DSC9066.jpg" /><img width="4724" height="3153" width_o="4724" height_o="3153" data-src="https://freight.cargo.site/t/original/i/e0c85de3f702ccf98d5edeedacfb1cab50fc7a3502e4aa4519388c4338f46d3b/_DSC9276.jpg" data-mid="220964266" border="0" src="https://freight.cargo.site/w/1000/i/e0c85de3f702ccf98d5edeedacfb1cab50fc7a3502e4aa4519388c4338f46d3b/_DSC9276.jpg" /><img width="6898" height="4604" width_o="6898" height_o="4604" data-src="https://freight.cargo.site/t/original/i/d4db39f8e7c092c65823bafe8ab4663829ed25c469c498aa6ebf52b686bff49d/_DSC9213.jpg" data-mid="220964279" border="0" src="https://freight.cargo.site/w/1000/i/d4db39f8e7c092c65823bafe8ab4663829ed25c469c498aa6ebf52b686bff49d/_DSC9213.jpg" /><img width="4506" height="6752" width_o="4506" height_o="6752" data-src="https://freight.cargo.site/t/original/i/a3d525b9e248a950125d4e7d178fec1dd04abde87fcc9c198542781439d13c1b/_DSC9263.jpg" data-mid="220964281" border="0" src="https://freight.cargo.site/w/1000/i/a3d525b9e248a950125d4e7d178fec1dd04abde87fcc9c198542781439d13c1b/_DSC9263.jpg" /><img width="4536" height="6797" width_o="4536" height_o="6797" data-src="https://freight.cargo.site/t/original/i/12376c9b163e1a6d25d00eb1a812d7d8f8d6af6be17640ae0119f601bc8ebb54/_DSC9272.jpg" data-mid="220964285" border="0" src="https://freight.cargo.site/w/1000/i/12376c9b163e1a6d25d00eb1a812d7d8f8d6af6be17640ae0119f601bc8ebb54/_DSC9272.jpg" /> https://sofiegrevelius.cargo.site/Abrovink Wed, 04 May 2022 12:16:03 +0000 SOFIE GREVELIUS https://sofiegrevelius.cargo.site/Abrovink ABROVINK Macken, Malmö 2022 A site responsive spacial installation with moments of movement performed during the opening and closing weekends Sofie Grevelius´ work revolves around the relationship between space, object and body. Her work is process-based and begins by exploring visual sensations through drawing, photography, video and sculpture. Grevelius prefers her work to sit inbetween scenography and reality, between surface and depth, where she can play freely with dimension, perspective and spatiality. The exhibition at MACKEN will be an ongoing oscillation between form and action, with performances scheduled for the opening and closing weekends. <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/952769ef74fafbf056742d8777ec5c0ec9f646a85ec76565b61d82d0025066b5/Sofie_Grevelius_Macken10.jpg" data-mid="141850450" border="0" src="https://freight.cargo.site/w/1000/i/952769ef74fafbf056742d8777ec5c0ec9f646a85ec76565b61d82d0025066b5/Sofie_Grevelius_Macken10.jpg" /><img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/3f05ae42f55f5492a380a357d1a869e89fc9e4144bcba6cb028a114bcad4bb3e/Sofie_Grevelius_Macken1.jpg" data-mid="141643971" border="0" src="https://freight.cargo.site/w/1000/i/3f05ae42f55f5492a380a357d1a869e89fc9e4144bcba6cb028a114bcad4bb3e/Sofie_Grevelius_Macken1.jpg" /> <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/57b131b9140770ae37341e47cc1861877e162e9e4df9d0f474f214734b49afda/Sofie_Grevelius_Macken19R.jpg" data-mid="141644493" border="0" src="https://freight.cargo.site/w/1000/i/57b131b9140770ae37341e47cc1861877e162e9e4df9d0f474f214734b49afda/Sofie_Grevelius_Macken19R.jpg" /><img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/114b0d0724c468a21383a8b8bf17904623f4d278f534267fe15c17db2566981c/Sofie_Grevelius_Macken27.jpg" data-mid="141850726" border="0" src="https://freight.cargo.site/w/1000/i/114b0d0724c468a21383a8b8bf17904623f4d278f534267fe15c17db2566981c/Sofie_Grevelius_Macken27.jpg" /> <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/7d9516ac5c1437a4195749eb88acf217acbb6bdd1504e5491c67c2dfb0bf5bd7/Sofie_Grevelius_Macken13.jpg" data-mid="141850486" border="0" src="https://freight.cargo.site/w/1000/i/7d9516ac5c1437a4195749eb88acf217acbb6bdd1504e5491c67c2dfb0bf5bd7/Sofie_Grevelius_Macken13.jpg" /><img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/d1b0d8763229f257830f96bbd0d38037469c40426148e8a198f40d91bcf21349/Sofie_Grevelius_Macken28.jpg" data-mid="141850727" border="0" src="https://freight.cargo.site/w/1000/i/d1b0d8763229f257830f96bbd0d38037469c40426148e8a198f40d91bcf21349/Sofie_Grevelius_Macken28.jpg" /> <img width="750" height="1036" width_o="750" height_o="1036" data-src="https://freight.cargo.site/t/original/i/25d2037cac09b07f6ffa1c84a766ed4cceb8207863e74c2910d370d4743723e1/IMG_7350.jpg" data-mid="141645321" border="0" src="https://freight.cargo.site/w/750/i/25d2037cac09b07f6ffa1c84a766ed4cceb8207863e74c2910d370d4743723e1/IMG_7350.jpg" /> <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/60a5fb73f9d5bed749d47944f12419aa346595778771a09e6a18b317eaa85cec/Sofie_Grevelius_Macken7.jpg" data-mid="141850349" border="0" src="https://freight.cargo.site/w/1000/i/60a5fb73f9d5bed749d47944f12419aa346595778771a09e6a18b317eaa85cec/Sofie_Grevelius_Macken7.jpg" /><img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/366c5479c43f5a409fe0e07f12bb828f0b03aa7636ce25834e8595c0e52ad9a2/Sofie_Grevelius_Macken25.jpg" data-mid="141851271" border="0" src="https://freight.cargo.site/w/1000/i/366c5479c43f5a409fe0e07f12bb828f0b03aa7636ce25834e8595c0e52ad9a2/Sofie_Grevelius_Macken25.jpg" /> https://sofiegrevelius.cargo.site/Fran-berg-till-byxa Wed, 04 May 2022 12:16:05 +0000 SOFIE GREVELIUS https://sofiegrevelius.cargo.site/Fran-berg-till-byxa FRÅN BERG TILL BYXA Hjorten Skulpturpark, Stockholm 2021 The HJORTEN Sculpture park is one-day event arranged on a yearly basis by artists Maria Toll and Nikki Fager.The diptych “Från berg till byxa” was installed in two tall trees approx 8 meters apart. Both shapes moved with the wind, momentarily creating an entrance/arch to walk under and around. <img width="679" height="1019" width_o="679" height_o="1019" data-src="https://freight.cargo.site/t/original/i/0549c4ba2e83922c4fd0365d5b9781583c28badbdbd5b2ee3d4c65652213b500/FBTB-2.jpg" data-mid="141645630" border="0" src="https://freight.cargo.site/w/679/i/0549c4ba2e83922c4fd0365d5b9781583c28badbdbd5b2ee3d4c65652213b500/FBTB-2.jpg" /> Nylon fabric, eyelets, elastic bands. 
330 x 150 cm/ 400 x 150 cm <img width="679" height="1019" width_o="679" height_o="1019" data-src="https://freight.cargo.site/t/original/i/f394e8ad1e1f7a301ec033f85f539d9d93021c52bb54010751a9b30a6fedbc94/FBTB03.jpg" data-mid="141645634" border="0" src="https://freight.cargo.site/w/679/i/f394e8ad1e1f7a301ec033f85f539d9d93021c52bb54010751a9b30a6fedbc94/FBTB03.jpg" /> <img width="679" height="1011" width_o="679" height_o="1011" data-src="https://freight.cargo.site/t/original/i/efd8ad6b3410bfbdc7138644c8cae2359f7375f785e2cec8dacf97869a3b878a/FBTB02.jpg" data-mid="141645633" border="0" src="https://freight.cargo.site/w/679/i/efd8ad6b3410bfbdc7138644c8cae2359f7375f785e2cec8dacf97869a3b878a/FBTB02.jpg" /> https://sofiegrevelius.cargo.site/Potential-noun Wed, 04 May 2022 12:16:04 +0000 SOFIE GREVELIUS https://sofiegrevelius.cargo.site/Potential-noun POTENTIAL NOUN Färgfabriken 2020 The objects displayed in “Potential Noun" are a collection of things made over a 10-year period, assembled at Färgfabriken with the ambition to connect, combine and question recurring ideas and shapes, to see what these abstract and intuitive objects could potentially become together. The installation sits in between the two- and three-dimensional and marks a movement towards performance, where the objects could act as both scenography and prop. <img width="1678" height="2205" width_o="1678" height_o="2205" data-src="https://freight.cargo.site/t/original/i/774154ab1eef5e6fac6937a7012a92cce5f147ae982e324d7c409286599f54bf/01-Potential-Noun-2020.jpg" data-mid="141644876" border="0" src="https://freight.cargo.site/w/1000/i/774154ab1eef5e6fac6937a7012a92cce5f147ae982e324d7c409286599f54bf/01-Potential-Noun-2020.jpg" /> <img width="2100" height="1566" width_o="2100" height_o="1566" data-src="https://freight.cargo.site/t/original/i/dcff60181c6b47bd1ab830156bcda8da472683cef6f98676d37fa8864a26a677/02-Potential-Noun-2020-.jpg" data-mid="141645104" border="0" src="https://freight.cargo.site/w/1000/i/dcff60181c6b47bd1ab830156bcda8da472683cef6f98676d37fa8864a26a677/02-Potential-Noun-2020-.jpg" /><img width="2250" height="1677" width_o="2250" height_o="1677" data-src="https://freight.cargo.site/t/original/i/b416be533a3e1a88e0f8c4b35d48d933f7943b8e9d3debf11d7634858f6a3c83/03-Potential-Noun-2020.jpg" data-mid="141645082" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/b416be533a3e1a88e0f8c4b35d48d933f7943b8e9d3debf11d7634858f6a3c83/03-Potential-Noun-2020.jpg" /> https://sofiegrevelius.cargo.site/Arbitrary-shootings Fri, 06 May 2022 15:32:32 +0000 SOFIE GREVELIUS https://sofiegrevelius.cargo.site/Arbitrary-shootings ARBITRARY SHOOTINGS Arbitrary Shootings is a photographic series presented in “The Lottery Project” initiated by curator writer Jacquelyn Davis and published in 2019.&nbsp;Inspired by Shirley Jackson’s proverbial short story “The Lottery” (1948) which is set in a village that annually sacrifices one of its inhabitants for the sake of maintaining their insular community as part of an ongoing ritual of violence, inhumanity and exclusion by stoning to death one unlucky ‘winner’ in their twisted ‘game’. <img width="472" height="590" width_o="472" height_o="590" data-src="https://freight.cargo.site/t/original/i/58995519f1b18f75000bdbeb8ee8035151d5e1ab51b752b675e1590660439d83/54-a-rest6a.jpg" data-mid="141857052" border="0" src="https://freight.cargo.site/w/472/i/58995519f1b18f75000bdbeb8ee8035151d5e1ab51b752b675e1590660439d83/54-a-rest6a.jpg" />&nbsp; &nbsp;&nbsp; Digital print on matte photographic paper 100 x 80 cm <img width="945" height="631" width_o="945" height_o="631" data-src="https://freight.cargo.site/t/original/i/8d4df36e191582712cc84e95c8c5f50c92c3fc896bc0eea5718aa4c1d2f4b203/54-a-rest4.jpg" data-mid="141857047" border="0" src="https://freight.cargo.site/w/945/i/8d4df36e191582712cc84e95c8c5f50c92c3fc896bc0eea5718aa4c1d2f4b203/54-a-rest4.jpg" /> &nbsp; &nbsp;<img width="945" height="1181" width_o="945" height_o="1181" data-src="https://freight.cargo.site/t/original/i/12cafa6cbfe01a834e44f9a020195ade41006642886334aca4cd1e5e8b172fb2/54-a-rest5.jpg" data-mid="141857051" border="0" src="https://freight.cargo.site/w/945/i/12cafa6cbfe01a834e44f9a020195ade41006642886334aca4cd1e5e8b172fb2/54-a-rest5.jpg" /> &nbsp;<img width="472" height="590" width_o="472" height_o="590" data-src="https://freight.cargo.site/t/original/i/898c26373c33002ca1f9b86857b69ebc3daf67ef39e19bcecb4612e8549c4d82/54-a-rest7a.jpg" data-mid="141857055" border="0" src="https://freight.cargo.site/w/472/i/898c26373c33002ca1f9b86857b69ebc3daf67ef39e19bcecb4612e8549c4d82/54-a-rest7a.jpg" /> &nbsp;<img width="4883" height="6104" width_o="4883" height_o="6104" data-src="https://freight.cargo.site/t/original/i/53f9dfff57e45ebe467c0a3a3eca5c032cadda3a23160b313d0d41bb7a06da8a/Arbitrary-shooting-no8.jpg" data-mid="142994396" border="0" src="https://freight.cargo.site/w/1000/i/53f9dfff57e45ebe467c0a3a3eca5c032cadda3a23160b313d0d41bb7a06da8a/Arbitrary-shooting-no8.jpg" />&nbsp; Presented here is a photographic series—a continuation of my urban explorations in relation to the group. How must individuals behave in a city? More specifically: how are they shaped by the city’s parameters? I have drawn connections between the fictional community in Shirley Jackson’s “The Lottery” (1948) and the community within any realistic cityscape. There is a fine line between arbitrary versus deliberate societal structures. I am reminded of the recurring submissive nature of humans and the duality of tradition—how one may lead to either stability or weakness in the other. This series is, to a degree, influenced by satellite photography. There are hints of a town square, roads leading to somewhere and surrounding buildings. In some images, the hand implies movement and, depending on how documentation is implemented, even static immobility. An invisible barrier was created between the studio and outside world. Nothing new was introduced into the studio so as to create an encapsulated city—an independent, separate entity apart from the outside world—even taking into account materials used. Tactility was a desired quality for chosen materials, alluding to the acts of covering and containing. These sought-after qualities have the capacity to ‘save’ or ‘ensnare,’ and they can be discovered in textiles, plastic bags and netting. My artistic process began by placing sourced materials onto the floor. This process of placement was playful and fluid: aligning, layering, balancing—aiming to create groupings perceived as interchangeable or random. Photography was used to catch a specific moment in time. The moment was preserved by shooting the moment. In a sense, my process mimics the ‘arbitrary shootings’ which occur in Jackson’s story—when one individual is sacrificed (i.e., the gesture of ‘shooting’ suggests the act of ‘stoning’) instead of another within the dark narrative. https://sofiegrevelius.cargo.site/Body-Building Wed, 04 May 2022 15:18:45 +0000 SOFIE GREVELIUS https://sofiegrevelius.cargo.site/Body-Building BODY BUILDING”Body building” is an open series of photographic collages. 
It is a personal exploration of the body’s relationship with its environment - how we create shapes that in turn shape us. <img width="1575" height="2226" width_o="1575" height_o="2226" data-src="https://freight.cargo.site/t/original/i/7c4977b1ff223fadc5f612eb0f0f63641ed871be56c1d8a76c98dd13b81bcc60/Sofie-Grevelius-01-ML2020.jpg" data-mid="141658006" border="0" src="https://freight.cargo.site/w/1000/i/7c4977b1ff223fadc5f612eb0f0f63641ed871be56c1d8a76c98dd13b81bcc60/Sofie-Grevelius-01-ML2020.jpg" />&nbsp; &nbsp; &nbsp; &nbsp;<img width="3840" height="5760" width_o="3840" height_o="5760" data-src="https://freight.cargo.site/t/original/i/76fd5f48b6731ecb5028b090fd95e7e615c555a6e965d5a8b406af93ad9be072/_F6B7365.jpg" data-mid="141658239" border="0" src="https://freight.cargo.site/w/1000/i/76fd5f48b6731ecb5028b090fd95e7e615c555a6e965d5a8b406af93ad9be072/_F6B7365.jpg" /><img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/e6bacc63e397c0916a0109b38b336c4e04fa8a43748a28a69f2430d0526eba1b/_F6B7367.jpg" data-mid="141658162" border="0" data-scale="86" src="https://freight.cargo.site/w/1000/i/e6bacc63e397c0916a0109b38b336c4e04fa8a43748a28a69f2430d0526eba1b/_F6B7367.jpg" /> <img width="1267" height="1900" width_o="1267" height_o="1900" data-src="https://freight.cargo.site/t/original/i/db7149122b6c4b35e67667eb08ae9a38249497c482cfb3182d60a972db46301d/Sofie-Grevelius-02_photo-by-Marcus-Palmqvist.jpg" data-mid="141753886" border="0" src="https://freight.cargo.site/w/1000/i/db7149122b6c4b35e67667eb08ae9a38249497c482cfb3182d60a972db46301d/Sofie-Grevelius-02_photo-by-Marcus-Palmqvist.jpg" /> https://sofiegrevelius.cargo.site/Yellow-motion Fri, 20 May 2022 16:00:49 +0000 SOFIE GREVELIUS https://sofiegrevelius.cargo.site/Yellow-motion YELLOW MOTION “Yellow motion” 2012 <img width="3702" height="2471" width_o="3702" height_o="2471" data-src="https://freight.cargo.site/t/original/i/a44593542c45b93c14375ce7f8209a5073dd11ea3e276a0c0fbef06a5c400402/10-Performance-for-camera-02-wip.jpg" data-mid="143200138" border="0" src="https://freight.cargo.site/w/1000/i/a44593542c45b93c14375ce7f8209a5073dd11ea3e276a0c0fbef06a5c400402/10-Performance-for-camera-02-wip.jpg" /> “One after the other” 2021